Monday, March 26, 2012

马来西亚国际当代艺术大展——吴亚鸿


  
  画家吴亚鸿,1979年创办博雅艺术中心,现为雪州皇城艺术家协会会长兼台湾国际彩墨画家联盟首席顾问。
  
  吴亚鸿的创作理念,“只要有心,不论是生活中或是文化里,总可以找到创作的灵泉。”

      在吴亚鸿的眼里,‘蚂蚁’和‘文字’,都是生活的形象,都是他的艺术绘画语言。蚂蚁似乎是画家用来隐喻人生况味和生活奋斗的视觉符号;文字又宛如体现文明演变和智慧结晶的意涵图像。
  
  看吳亞鸿近期的作品,他采用拓印书法的创作,凭着不单是书法的功力,还有对版画的特质掌握,利用翻印的效果,将水墨版画与书法碑帖两种艺术完美地结合。同时,他也取‘以黑計白’的创作思维,強调对比原理和重視视觉构成。作品画面的浓墨渲染,产生富有韵味的墨劲与张力,黑白的对比,墨块與小蚂蚁的对比,墨壁与文字的呼应,加上画面切割再重新的組合,形成具有中西融合的佈局,赋传统以新的生命。
  
  吴亚鸿的近作,意象表現更明顯、更獨特,也讓他的作品,邁向更寬廣、更深遠、更具前瞻的思惟。



  

Saturday, March 24, 2012

马来西亚国际当代艺术大展——黄美


  
文/吴亚鸿 Goh Ah Ang
  
  
  画家黄美,新加南洋美专毕业,后赴法国巴黎求艺。现为雪兰莪傻傻然艺术学会会长 。
  
  黄美的艺术创作,追求“天人合一”。这可追溯到童年时期,他从小在树林中成长,树,似乎就是他孤单时倾诉的对象,因此对树有一份特别深厚的情感。“森林之神”是他最喜爱的题材。
  
  数十年的创作生涯中,环保课题是他所关注的。他希望透过画,提醒人们青葱环境和保存树林的重要。
  
  黄美认为,一个绘画的人,勿抄捷径,脚踏实地,多读多想多画,才能尽显一个画家的修养和功力。他的坚持和努力不懈,造就了他这样一个位优秀的画家。他的作品,不论是风景、人物或是抽象,都以画笔描上千条线万条线,形成独创的“黄美”风格。
  
  画家从事绘画创作,也希望更多人认识艺术,找到绘画的乐趣。黄美在几次的国际艺术营之中得到启示,决意在自己的家乡,举办大型的艺术节。他带了无数国际画家,来到故乡沙沙然渔村,引导村民和公众参与艺术活动。
  
  他不只让自己快乐地遨游在艺术的海洋中,也带领群众,从沙沙然这个小渔村开始,游向浩瀚的艺术大海洋。




Wednesday, March 21, 2012

马来西亚国际当代艺术大展——拿督戴懋龙


  
  
文/吴亚鸿 Goh Ah Ang


  画家拿督戴懋龙,19岁往台湾留学,主修纯美术。后来受法国大使的邀请,到法国巴黎游学2个月。

  他从1950年代开始作画,开始是画水彩,画风独具一格。后来,由于对蜡染的热爱,转向峇迪画的制作,他是马来西亚三位最杰出的峇迪画家之一。
 
  戴懋龙的画,题材涵盖巴厘的风土民情、马来西亚的渔村景色和节日庆典。他画中的图形大胆和奔放,亮丽的色块加上明显的黑色轮廓线,营造迷人和丰富多彩的峇迪画。
  
  基于早年学习峇迪画制作的艰难,他出版书籍,介绍对峇迪画的认识和制作的技法,也到处演讲和示范推展峇迪画艺术。为了提高峇迪画的素质,他从国外进口许多染料,亲手自制漏斗笔。他从日本和服工艺得到启发,研发了“双重防染”蜡染方式,突破蜡染画过去的技术限制。他对峇迪画的热爱和推广,获得国家画廊的认同和奖掖,在2004獲得國家畫廊肯定為大馬3大蜡染畫先驅之一。

  身为国家级的画家,他认为:要当画家,就要当个有创作、有影响力的画家。





  

Wednesday, June 29, 2011

朝露晚风











《荷风》1995 水墨画


生命,犹如朝露晚风。
当我们欣赏盛开的花朵时,
就要知道,花开花谢原是“空”相。



Monday, May 23, 2011

The Free World of Black Ink

A feel of Goh Ah Ang’s ‘World of Ants’
  
by Yu Hua Xing
(Panel Judge for China’s 7th and 8th National Art Exhibition)
  

Stone Says (II)  Ink on paper  2010


  For the past 15 years, my job required me to audit the progress of thousands of artists and art teachers. From my findings I could then determine the overall trend in the development of art and to identify possible leaders. I am truly glad that I actually could find a handful of dedicated art educators, brilliant calligraphers and painters, and some far-sighted and intelligent social groups. Their great passion in their work and their broad outlook towards art in general is something I am very proud of. This brightens the world of art. Among them, Mr. Goh, the founder of Top-Art School of Art & Design of Malaysia is one of the leaders to have all the above qualities.

  Mr. Goh is a filial son. In his 25th anniversary magazine of his art school he portrayed his mother as a highly respected and important person in his life. Filial piety is the root of all good characters and hence I strongly believe he is a good friend and a fantastic teacher.

  As a teacher, Mr. Goh imparts his knowledge to his students sincerely and faithfully. For the past 15 years, Top-Art youths strictly adhered to his style of art and Mr. Goh really prepares them to fly high when they are ready and not by taking any short cuts. The 30 years journey of Top-Art proves to us once again that ‘Sincerity can touch the Gods’.

  As an artist, Mr. Goh is knowledgeable and daring. He is able to destroy and reconstruct, fiercely passionate and yet able to tolerate loneliness. He focused on “constructing” his world of ants for 30 years as illustrated in his great art pieces. He uses the little lives (ants) to signify the human beings on Earth. The fantastic thoughts and exclusive unspoken language can inspire all the art masters. The drawings are simple and clear but its mysterious combination of imperfections will leave an indelible mark in your mind. If we ever immerse ourselves into the ants paintings of Mr Goh, we will be able to understand its philosophy behind it, the philosophy of Buddhist, Taoist and Zen behind each art piece, we seem to be able to visualize the prehistoric universe and the behaviors of mankind.

  The world today, underwent mutual blending between eastern and western cultures, the world of art is unique and diversified. This materialistic and complicated world lacks depth because there are too many temptations. However, Mr. Goh is able to maintain calm state of mind, his integrity is something very invaluable.

  Mr. Goh’s ants paintings, combines the charm of traditional ink painting with some special techniques. His intention is to break away from the traditional rules and go beyond mediocrity, bringing art to a higher level. In order to do this, he needs to have courage and sacrifice along the way to overcome all odds with great perseverence. 

  In 1995, I visited South Korea for the first time. Looking from the altitude of thousands of meters, I saw small moving dots beneath the clouds. At that moment I was suddenly overwhelmed with very intense feelings. Today, we witness Mr. Goh using ants to portray hardship, the spirit of team work and, giving and sharing, feeling enlighten and inspired.   

  Art can strongly determine an artist’s character, personality and achievements. In addition it can also determine the depth of a connoisseur’s recognition and acknowledgement. ‘World of Ants’ deemed such a masterpiece.
 
  The power of art, rooted in the personality of an artist. It’s success depends on skills and accomplishment of the author, as well as the consensus of the readers and resonate. ‘World of Ants’ by Mr Goh can be described as another classic.

  In the mid 20th century, the great Master, the late Mr. Li Ke Ran, used the description, ‘The unlimited boundary in black ink’ to describe precisely the unlimited attractions of traditional ink painting. Today, in the 21st century, Mr. Goh’s ‘World of Ants’ has further expressed the meaning of the above phrase. Art and creativity is infinite. The world of ink is like boundless oceans ......  
  
To view more works
  

Tuesday, August 3, 2010

美的曙光——写马来西亚当代彩墨大展

文/吴亚鸿 Goh Ah Ang

  
林荣光作品


谢忝宋作品
  有学者说,21世纪是东方人的世纪,也是大中华的世纪。身为炎黄子孙的马来西亚华裔艺术家,当然不能置身事外,应该在这新世纪的舞台上,扮演举足轻重的民族角色。因此,马来西亚国际书画联盟,凝聚一群具有革新意识和独创新意的艺术家,一齐推展彩墨绘画艺术,凸显民族文化和艺术特质,也展现多元文化观的马来西亚风貌。

  马来西亚彩墨绘画艺术,她传承了中华文化的艺术精神,包容了友族的文化异彩,接受了西方的现代艺术理念。从早期的飘洋过海、落地生根、开枝散叶到百花齐放的多元特色,历经了53年岁月的洗礼,她将“唐彩宋墨”的东方特质和马来西亚本土的特色做一个有机的结合,如今谱成了当代马来西亚华裔美术多姿多彩的内涵。

  从艺术发展史来看,采取颜彩与墨色的绘画表现形式的手法比比皆是。如东方的彩绘陶器、漆绘、帛画,绢画和西方古埃及的壁画以及希腊的彩陶,都是颜彩和墨色搭配完成的杰作。虽然如此,由于东西方绘画观念的不同,因此也发展出东方着重线、西方注重面的两种截然不同风格。我想,只要依循“现代思惟、多元媒材、本土意识、人文关怀、个人风格”的主张去探讨与创作,我们也可以走出属于自己的艺术“康庄大道”。

  这回,努力建构彩墨康庄大道的十位画家,他们是符永刚、谢忝宋、叶逢仪、林荣光、锺木池、郑贝山、黄振景、黎潮湘、彭庆勤和笔者。这群画家可说是马来西亚画坛的中坚分子,他们既有传统的中华文化的根底,亦有广阔的艺术视野;他们有独立的艺术见解,也有执著的艺术追求。他们强调现代绘画的语汇功能,以“彩与墨”的丰富交融,来强化彩墨艺术的权威性,同时,展现个人的艺术风格。

  随着21世纪,这个属于东方即白的年代,“彩”与“墨”的东方文化精髓,或许就是新世纪人类的“美的曙光”。


黎潮湘作品
  
  

叶逢仪作品

  
符永刚作品
  
  
彭庆勤作品
  
  
吴亚鸿作品
  
  
黄振景作品
  
  
郑贝山作品
  
  
锺木池作品



  

Friday, March 5, 2010

《关怀百分百》妇女节书画展

  
  
《过去·未来》  陈艾霙作品

  美好的现在,从过去开始。没有好的现在,就没有好的未来。

  

 


  雪州皇城艺术家协会主办第13届妇女节书画展,配合国际妇女节100周年纪念,今年的展览主题为《关怀百分百》。画展将于3月8日(星期一)在巴生博雅艺术中心举行。

  这项妇女节书画展,自1998年开始,配合每年一度的妇女节而举办。参加展出的纯粹为女性书画爱好者,画展的宗旨是透过举办画展,表扬女性为了争取妇女和儿童的权益所作出的努力,同时歌颂妇女对社会的贡献,鼓励她们参与艺术文化活动,尝试通过艺术创作提高审美意识和生活品味。

  今年的画展主题是关怀大地与周遭,透过女性画友们的丹青妙笔,唤醒人们对人文环境的关怀。参与其盛的画友共有32位,她们是陈艾霙、谢铭香、郭云珍、黄燕琴、彭秀珍、林丽珠、陈兰、李丽亮、颜蕙莉、林翠芬、叶秀花、柯秀蓉、刘德华、彭九妹、李妙宽、陈月清、苏运友、邱绣懿、杨学琪、陈睫鹦、郑燕媚、陈素华、许慧谊、刘玉华、龙美伶、陈碧霞、林美君、刘美玉、汤菁绿、纪思为、陈立瑜以及陈立宏。展出作品包括水墨画、书法、油画、水彩画、摄影和混合媒介的创作。

  关怀人文环境,要做到百分百,还需要大家的齐心和努力。大家一起来吧!




《都市交响曲》 彭秀珍作品
你我他,就像无数的音符,奏响了都市的交响曲。

    

《春风墨韵绿彩果香》  汤菁绿作品

  一年之计在于春,一日之计在于晨。勤劳者,收成好。


  
  

《拥抱大地》 邱绣懿作品

付出爱心,关心周遭。保护环境,人人有责。



  


《被遗忘的角落》  黄燕琴作品

  这些好伙伴,陪我们走过岁月。历经繁华与发展,是否还记得它们的功劳?



  


《漫漫长路》  郭云珍作品

女性的漫漫长路,一步一脚印,不怕慢,只怕站。





《山水颂》  陈月清作品

  清静无染的大地,好山好水看不尽。


 


《天天天蓝》  苏运友作品

只要让天空好好呼吸,蔚蓝的天空离我们并不远。
  

《屈原离骚词》 谢铭香作品
路漫漫其修长兮,吾将上下而求索。
 
 
更多作品在《博雅艺术中心俱乐部